This kind of reading practice facilitates a sensitivity to tone and style in the artworks, which keys us in to the particular affective registers explored here.

My methods of art practice as research are informed by autobiographical experiences of knowing through creative production, affirmed by theories by women of color, as well as burgeoning scholarship that explores the inherent connections between ways of knowing and creative production.

Continue to or continued from

Feelin: Creative Practice, Pleasure, and Black Feminist Thought, Northwestern University Press, Evanston, IL. 2022.

or

patient. Black Lawrence Press, 2014.